Capture that does not lie

Most people who see your work will see a video or a still, not the live scene, and it is easy to misrepresent performance without meaning to: a capture taken on a desktop while the target is mobile, or a smooth recording of a scene that stutters in practice. Include a stats overlay in at least one clip, or state the device and frame rate in the caption.

Then make the still count. One well-composed frame, at the right moment in the choreography, does more for a portfolio than a thirty-second flythrough nobody finishes. Pick it deliberately, in the same way you picked the reduced-motion frame.